Publications
Book Chapters
Theatre Censorship in Italo-Turkish Diplomatic Relations: Lodovico Rocca’s ‘Monte Ivnòr’ (1938-1939) in Music and the Politics of Censorship (Garratt J. ed.), Brepols, Turnhout (Forthcoming 2024) (in English)
«Le armi dello spirito»: Music in Mussolini’s Imperialist Propaganda. Competitions and Awards in the mid-1930s in Music and Institutions in Fascist Italy (Illiano R. – Sala L. ed.), Brepols, Turnhout (2024) (in English)
Journal Articles
Essays
Maurice Ohana: The Originality of a Musical Idiom. Aesthetics and Guitar Works (second part) / Maurice Ohana (parte II). Un profilo estetico e l’opera per chitarra, Il Fronimo n. 132, October 2005, pp. 24-36 (in Italian).
Maurice Ohana: The Originality of a Musical Idiom. The Tiento (third part) / Maurice Ohana (parte III). Il Tiento, Il Fronimo n. 133, January 2006, pp. 36-46 (in Italian).
Encyclopedia Entries
Dissertations
Maurice Ohana: L’originalità di un linguaggio, University of Bologna, 2004 (in Italian).
Other Publications
In honor of Griselda Ponce de León, Il Fronimo, n. 123, July 2003, pag. 53 (in Italian).
Talks
Italian Music and Propaganda for the Empire during the Fascist Era (1934-1942), Guest speaker at Prof. Michael Beckerman’s Course on Music and Fascism – Special Studies for Graduate Students, New York University Music Department, Faculty of Arts and Science, Sept 28 2017, 2-4pm
The Role of Music in the Construction of Identity in Colonial Settings: Italian Colonial Libya as Case Study – 19th International Congress of the IMS (International Musicological Society), Rome July 1-7, 2012.
Music and Colonialism in Fascist Italy (1922-1943) – Guest Speaker at New York University Italian Department, Seminar on Italian Colonialism by Prof. Ruth Ben-Ghiat, November 1, 2011.
The Pedagogy of Music in the English and North-American Journals (La pedagogia della musica per la scuola primaria nelle riviste inglesi e nordamericane) – Table round on Music Education in the Primary School for the XIV Colloquium of Musicology organized by Saggiatore Musicale – University of Bologna, November 19, 2010.
Pasquale Bona and his Work in the 20th Century (Recezione della figura e dell’opera di Pasquale Bona (1808-1878) nel Novecento) – Invited talk in occasion of the Centennial Celebration of the Birth of the Italian Composer and Theorist Pasquale Bona (1808-1878) – Rome, December 22, 2007.
GuitArt
– Italian Quarterly Classical Guitar Magazine